|
MPAA/Content R (AC, AL, N, V) |
Distributor
Universal Pics. [2014] |
Technical
2.35:1 HD |
Genre
COM |
Runtime
96 mins. |
Cntry./Lang.
USA [English] |
Budget $18M |
CAST
Seth Rogen, Rose Byrne, Zac Efron, Dave Franco, Christopher Mintz-Plasse, Ike Barinholtz, Carla Gallo, Hannibal Burress, Halston Sage, Jerrod Carmichael, Craig Roberts & Lisa Kudrow
CREDITS
Director: Nicholas Stoller; Screenwriters: Andrew Jay Cohen & Brendan O’Brien; Producers: Seth Rogen, Evan Goldberg & James Weaver; Director Of Photography: Brandon Trost; Production Designer: Julie Berghoff; Editor: Zene Baker; Costume Designer: Leesa Evans; Music Composer: Michael Andrews
THE SYNOPSIS
First-time parents Mac (Rogen) and Kelly (Byrne) Radner have just bought a house on a quiet street and now moved in with their infant daughter, Stella. That means less partying with zany best friends Jimmy (Barinholtz) and ex-wife Paula (Gallo) and more focus on work, the baby and their new home.
One day, fraternity Delta Psi Beta moves into the house next door—led by the hunky, cunning Teddy Sanders (Efron) and his lieutenant Pete Regazolli (Franco), smart, handsome, questionable sexuality. These Deltas aspire to carry on their frat’s huge partying reputation by staging the greatest party ever. The first party is loud—so much so that Mac & Kelly go over to ask the kids to “keep it down”. This backfires when they are invited into the bacchanalia and have a blast.
However, the next party shatters the brief détente when Mac & Kelly call the cops on the Deltas. Teddy declares war on the Radners and the hazing/pranking begins. Flooding basements, genital topiary and exploding car seats are just a warm-up. After Mac & Kelly bring the matter to the flighty dean Carol Gladstone (Kudrow), they discover that the Deltas are one strike away from being expelled from the college and their charter revoked. The Radners then go on the offensive with help of Jimmy & Paula—and the final showdown involves plenty of booze, nudity and fireworks!
THE CRITIQUE
NEIGHBORS, an amusing but not perfect fraternity comedy, has the sad luck of following in the cinematic footsteps of the better fraternity comedies of yore: National Lampoon’s Animal House (1978), Revenge Of The Nerds (1984), the cultish Fraternity Vacation (1985), PCU (1994) and the more recent Old School (2003). The newest pledge to this celluloid fraternity has more chuckles than outright laughs. It’s too bad, because after watching the trailers for this one, I was expecting to be knocked out of my seat…like I was for another recent party movie Project X (2012). That one had the laughs and the energy to pull off a party movie made for little money and featuring an unknown cast.
The NEIGHBORS screenplay was written by newbie scribes Andrew J. Cohen and Brendan O’Brien—besties who (as they state in the production notes) have broken through the barrier of their 20s and are now in their early 30s and married, and missing the college life they had. Guys, you mean just had. You’re in your early 30s—which is like the new 20s!! Especially in this new day and age where the Millennials have barely left their homes at 30!
Hell, I’m in my early 40s—which, by the way, is now the new 30s—and I’m all giggity giggity giggity about being single again, with no kids of my own to worry about!! I’m just as sexed up as any frat boy—but with the pragmatic knowledge of how things work with women (dudes…a hint: they’re always right). Yup, a charming, handsome, witty, articulate, cultured, educated, acerbic, groovy film critic who’s available… (ladies…a hint: youssef@moonstarfilmreviews.com). Yowsah!
But I digress…
What I find interesting about this screenplay is how the main character—envisioned for and played by Seth Rogen (only in his early 30s)—tries to divide the generational gap between the Radners and the Deltas. What, by 10 years?! Hah! What does that make me to the frat kids…Old Man Time? See where I’m going with this? In the aforementioned Animal House, the generational gap between the Authorities (the Dean, the police, the parents) and those Deltas (Baby Boomers in their early 20s) was distinct and absolute. Today, with things being the way they are, can you really tell the difference between 20-somethings and 30-somethings…aside from the fact that those in the latter probably shower more frequently?
Still, at least Cohen & O’Brien did get plenty of the norms & mores of fraternity life correct. Not that I am an expert—having never had the desire to be ass-whipped by some over-jocked monkey with a paddle—but having friends that did, I was able to attend plenty of frat parties. And let’s just say, for a non-drinking/non-smoking/non-druggy college boy, I had plenty of fun with my clothes on and off. But that’s for the epic biopic that I’ll make someday…
NEIGHBORS was helmed with genre precision by Judd Apatow collaborator/screenwriter (2005’s Fun With Dick And Jane, Yes Man, The Muppets, Muppets Most Wanted)-turned-director Nicholas Stoller (Forgetting Sarah Marshall, Get Him To The Greek)—a filmmaker known in the business as a stalwart improvisational director. And it shows—as the interaction between the actors (either protag or antag) feels naturalistic. Combined with the comfort that Stoller knows where the camera should go and how sequences should be edited—it is evident that this guy knows how to do his job.
Speaking of the actors, the aforementioned star Seth Rogen does a serviceable job playing the loveable schlub—basically the same he plays in most of his movies…though he was better in the superior This Is The End (2013). I was thinking, however, how different this movie might have turned out if someone more age-appropriate would play the role of husband & father…say Will Ferrell or Ben Stiller. Aussie actress Rose Byrne’s Kelly could have been a reactive shrill—however, in a smart move by the screenwriters & director—proves she’s a tough cookie with the mouth of a sailor and the temperament of a trucker. It was a pleasant surprise to see this lovely and talented actress slumming with the boys!
Another surprise is Zac Efron, as the calculating/cunning/hunky frat leader. Formerly a teen pin-up star, Efron has matured (surviving through his own crucible of drugs & alcohol) into a budding fine actor. His comedic timing is great and he works well with Dave (younger brother of James) Franco and McLovin’ himself, Christopher Mintz-Plasse—who is endowed with a monster, Dirk Diggler-ish (fake) penis after years of playing wimpy characters with an annoying voice. Co-stars Barinholtz & Gallo round out the casting with amusing to & fro between their characters.
Production values for this $18 million production (boxofficemojo.com) are slick enough to pass muster (what’d they spend the cash on…black lights and trainers for Zac Efron?). The entire movie was shot in Los Angeles and utilized two real houses —nice work by production designer Julie Berghoff (Saw, Dead Silence, The Conjuring), by the way.
NEIGHBORS was lensed in HD-widescreen (via the ARRI Alexa Plus 4:3 camera system) by veteran cinematographer Brendan Trost (Crank: High Voltage, Rob Zombie’s Halloween II, The Lords Of Salem, This Is The End)—who does a good job of creating dissimilar visual landscapes in the Radner home (comfortable hues) and the frat house (freaky party lighting schema). He is abetted by slick editing courtesy of regular Seth Rogen cutter Zene Baker (Observe And Report, 50/50, This Is The End).
THE BOTTOM LINE
Far from being the ultimate frat house/party movie, NEIGHBORS, still manages to entertain despite a simplistic script and some underdeveloped characterizations. While the movie is funny, I was expecting a more robust level of humor based on the trailer that exalted such promise. Still, Seth Rogen makes me laugh—as do air bag gags and topiary genitals.
IMDB: http://www.imdb.com/title/tt2004420/
Wikipedia: http://en.wikipedia.org/wiki/Neighbors_(2014_film)
Official Site: http://www.neighbors-movie.com
MoonStar Film Reviews 
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